TRADEMARKS

• Trademarks make an indication of the origin of goods and services; marks that distinctive business from the other; gives you individuality and promotes your own work through the trademark. This works by Application and Registration in the relevant class and territory. Trademarks are normally distinguished through: Letters, numbers, colour and shapes. If the trademark however isn’t registered in a different country the trademark which is personal to you can be used somewhere else in the world if it is not registered correctly.

• Half a million pounds to register Trademark around the whole world. Fashion is quite often created in Asian countries, which is why a lot of support and Law Trademark Registrations can be found in those particular countries. China keeps a very close eye on what happens and emerges in the UK, so trademarks are key to keeping the industry fair and unique to each brand to make sure that you aren’t ripped off.

• You can however use the same name, such as Polo, for a different brand. Polo is used for cars, clothing and sweets, however each element of the name is very different and a different sector within the industry.

• Pictures or symbols such as the Nike Swoosh, Burberry Check and the Red Soles of shoes are all trademarked, meaning that no other company can use this as it is individual to that country. You can also make individual positions within an outfit, such as the Fred Perry double stripes on the colour and the edge of the arms to keep the brand unique and different from the others; this enable as theme and key understanding for the brand too.

• Requirement have to be capable of graphical representation, distinguishing goods and services, not descriptor and not contrary to public morality and policies, this enable each and every one of us to have the same chance and the requirements. They last for 10 years, but have to re renewed, but if they aren’t used of the product isn’t launched within 5 years, the trademark can then be cancelled.

• If you do not have the money to create a trademark, you still have the rights to individual use. £170 is how much it costs to create the Trademark; with it registered however it is better to get proof of registration. Infringement is also very common within the industry; you cannot have: Identical mark, goods or services; confusion within the products; and repetition, misrepresentation and damage. Vivienne Westwood’s logo was found to have been Infringed by Red Planet – You have to be incredibly careful with infringement as it can end up in court.

• A Patent is a national right, has to be applied for and granted by individual countries. These normally last for 20 years or so; they can be a description, claim or a drawing which you are trying to protect.

Brighton Fashion Week

It is commonly misunderstood that there is only one main Fashion Week which happens within the UK, however this is such a mistake within those who think that; as around the country there are so many influential catwalk shows which display different work, designers and styles which are unique to each place. Brighton is somewhere that I have lived for my whole life, meaning that I have become very aware of the styles which are represented thoughout the people who are currently living there. Brighton is the capital of the Gay population within the country, and this is such an incredible experience when in Brighton, as fashion is pushed to its limits, and creations and styles really come alive. 

The Lanes which can be found there are a hub for new fashion and individual boutiques and accessory shops, as well as the main shopping station. Brighton, like many other sub cities, has its own Fashion Week which is held in October every year, and although one of the newer Fashion Weeks, it has blossomed and really come alive thought the people and the style of living. Next year I really hope to have a more personal and larger role within the event, as I think it is such an experience for Fashion Promotion and others interested in Fashion to get stuck into.

http://www.brightonfashionweek.com

The Dior Narrative

When looking into the narrative and the dream behind Diorissimo, there are many connotations which jump out of the product, and for me there is a very strong story which unveils. Dior is an incredibly sophisticated and well developed brand, which enables a strong sense of control within the brand; however for me, the dior fragrances are more than just smells, they work together in synergy to create a family like feel. J’adore, Miss Dior and Les Creations de Monsieur Dior are three sisters, and when you unravel the product identify within each fragrance you gain an understanding of the audience, smell, bottle aesthetics, and the feel of the perfume. These factors enable the consumer to learn more about where the product fits within the Dior Fragrance ‘family’. 

J’adore is a very sleek, sexual perfume, which is incredibly feminine and independent. The woman behind the fragrance is heavily beautiful and someone how has confidence within herself, she knows what she wants and how she is going to get it. This very confident and forward figure which appears in the family of Dior is an older sister, and is a well loved, appreciated yet strong smell, and is well developed to the perfect amount.

Next you have Miss Dior, who is the youngest of the three, sisters within the Dior fragrance family; she is cheeky, flirty and incredibly girls; the smell is flowery and pink which is displayed strongly within the packaging colour and bow on the lid. Miss Dior is the youngest and although she is confident in herself she has changes to make to herself, and is giggly. If she were to be drawn, she would too be very beautiful, but younger, and she is fun; which is the most important element which can be taken from the fragrance.

Finally you have the strong family of Les Creations de Monsieur Dior, which are almost the cousins of the Dior family, as they themselves make up 6 of the Dior fragrances, meaning there is a strong bond and collection within the brand. Diorissimo, Diorella, Dioressence and Diorling are almost quadruplets, the smells and the looks which carry the Dior fragrance forward are so similar, the bottle shapes are all identical and the look and feel which can be captured from the fragrance are identical. 

I personally see Diorissimo as an interesting family member within the fragrance market. The bottle itself is very bland, there is very little shape and outstanding factor of the bottle, however this inputs an element of mystery within the product, implying that Dior may have put all their efforts into the smell and left the packaging and bottle plain to allow a sense of the unknown into the product. The sell is so floral and fruity, almost a younger smell, however it was one of the first created which leaves the element of surprise when the scent is smelt as you see the movement behind the smell throughout the years. The Diorissimo woman is incredibly elegant yet simplistic, it leaves a lot to the imagination and allows a true mystical element to her; she too would be incredibly beautiful, old fashioned in her beliefs yet her rebranding makes her young in age. In my opinion, Diorissimo is the most interesting of the Dior Fragrance Collection, and although she isn’t the most famous, this adds the element of surprise to her, which is her unique selling point within the market. 

Intellectual Properties

This part of the fashion industry is vital to the way the business works. Without legal obligations and limitations the industry would be incredibly different. Intellectual Property right are the legally recognised ruled which have to be followed. It included copyright, patents, trademarks and trade secrets; which are all in turn personal and unique to different companies and the work ethics set. Within a company, patent is key to success; it grants the inventor the right to get rid of others from the making, selling and importing of fashion. Intellectual Properties are what keeps fashion a fast moving, and high earning business; and it is vital to understanding the way the companies work.

Fashion Monitor – MY profession

When looking deeper into the fashion industry, and the promotional aspects within the business, I have realised that not only is there such a range of available jobs, but they have come so far, and developed so much over the years! This therefore leads me to believe that although I have an idea of a job at the end of my degree, the fast moving industry may therefore have a more in-depth and up to date position instead; which is in fact incredibly exciting.

Looking into my profession is something which I find so interesting, yet due to the amount of jobs, and the development of the existing ones, I have to be incredible careful to be open and willing to change with the industry, therefore looking at an exact job can be hard, but using Fashion Monitor has enabled me to look at what is current, and possible jobs I would find myself working in within the next 5 years. This has enabled me to look in more depth at the industry, as well as myself and what I want to get out of the fashion industry, and where I will be able to leave my stamp.

http://www.fashionmonitor.com

The GRANDE-Mère of couture

There is one woman who has stood out to me over the years as one of the leaders of Couture, a woman whose work was so different and unique at the time, and even though art and poetry was the route in life she wanted to take, fashion took over and snatched up her talent and brought her into the ever-moving industry. Forty years after the death of Elsa Schiaparelli, her life has come back into the light as her work is reviewed and looked at again by many. Her passion and determination for doing something special with her life was such an inspiration, to not only her family, but young photographers, designers and fashion followers. From Giacometti designed ashtrays, to Dali dressing her windows, Schiaparelli was one of the most glamorous, genuine and loved designers of her time, and her mark has been left after all these years. 

‘Elsa Schiaparelli was the most influential fashion designer of the 20th century. She was the first to use the art of her time in a provocative dialogue with fashion, and hoovering up elements that caught her fancy from all over the world.’

– Meredith Etherington Smith

There has recently been a book released about the life of Elsa Schiaparelli and her personal photographic collection of her family, lovers and the house she once lived in; which have all been selected by her granddaughter to bring her name back into the light and teach those about just how incredible she was. She is a name that I will always follow, and a book which I have ordered and am more than excited to read.

FASHION AND TEXTILE MUSEUM

Over the years, the Fashion and Textile Museum has held so many incredible and memorable fashion exhibitions, which have always been a great inspiration for my work and looking into greater detail of the history of fashion. This season, it focuses on Knitwear; Chanel to Westwood. The vintage inspired knitwear focuses on the 1920’s jersey, the 1930’s swimwear collection, all the way to Vivienne Westwood and Julien MacDonald’s work. This range of designers and the impact that the whole exhibition has is just incredible, and the art movements over time become so impacting as you enter the world of knitwear. 

When looking around the exhibition, my favourite piece of knitwear would have to be Julien MacDonald’s’ Mixed Synthetic 1900’s sequinned dress. The change between the inner body within the dress and the high neck was just such a different style and added such a power to the piece. Although a neck length, tight, short sleeved garment, there was something very uniquely beautiful about it, and the whole piece was so delicate yet powerful in itself. The panelled body had this incredible, yet simplistic, pattern of silver tones which shaped the figure perfectly. I believe this was one of the most interesting and diverse exhibition that the Fashion and Textile Museum have displayed, and I thought it was just fantastic.

Fashion Trend Forecasting

Within trend forecasting, there is Shared Situation Awareness, which is the themes and ideas which are shared amongst a group – the opinion formers- fashion does not feed fashion, we have to look outside of this for new trends and fashion designs which in turn feeds to the audiences. Trend Forecasting is a teams ability to recognise a pattern in a fluid situation and to use this information to anticipate what might happen. Fashion is forever moving, you have to take a snapshot of what is happening in that section of time. Some looks have defined decades, like the bob, now they define a season, or a year, it is incredibly fast moving, and you have to constantly be aware of what is coming out; exhibitions, music, films and other emerging areas. You have to be incredibly quick with this.

There are three steps in this process:

1. Observe the raw data
2. Spot patterns to form hypothesis as to how the situation might unfold
3. Test the hypothesis

Ford – you have designs which are going to be large within the industry, something that will be sold quickly, something that will be very popular, however it is fast fashion meaning it appears very quickly.

Trafalgar – slow fashion is where an idea will evolve over a period of time, which will become very developed and destined and will be right and exactly what the audience will mean. It will be touched on time and time again, a theme or a technique which is constantly revisited within the designer. Vivienne Westwood is an example of this, as she has a strong British essence within her work.

Bubble up is where trends enter from the street and work there way up within the fashion industry. Trickle down is conceptual dresses, where the clothing is very difficult to understand and interpret, but has been observed and has made its way into the high street. Zara is incredibly good at this, as they have looked at what is new and couture within the industry, and they make their own look out of it, the look becomes very simplified and enters the high street, fast fashion market. Often this moves around regions within the country, what is good where and why?

The 7 P’s of Promotion

• Product

• Price

• Place

• Promotion

• People

• Process

• Physical evidence

SWOT of Dior

STRENGTHS: Dior itself has so many strengths, but those which have drawn the company out the ground is the individuality and strong sense of narrative and the creation of ‘the dream’. Over the years Dior has created such a passion for the brand, and the need for it, which is why, 60 years on the company is still ever moving with the fast paced industry. 

WEAKNESSES: Although the company is very well developed, it has only a few downfalls, due to the change of designers over the years, at points there has been very little stability within the business, and the change of the personalities being injected into the brand has meant that in some cases there has been a large change in style and designs of certain pieces. 

OPPORTUNITIES: Dior is very aware as a company, and keeps up to date with all events. The Dior Harrods event in 2013, promoted the brand once again and allowed a whole range of audiences to view the garments and styles. The experiences which Dior choose to exploit are perfect opportunities for sales, and for the audiences. 

THREATS: Along with threats comes strong competition within the industry, and in this case, the threats lie with Chanel, and the fact that there is such a strong connection between the two brands. However, threats also lie with the designers, as in the short stay of the designer Bill Gaytten in 2011 for Dior, this can cause threats as it can have a lasting effect on the brand essence.